Paul Verhoeven (Dutch: [ˈpʌu̯l vərˈɦuvə(n)]; born 18 July 1938) is a Dutch filmmaker. His blending of graphic violence and sexual content with social satire is a trademark of both his drama and science fiction films.After receiving attention for the TV series Floris in his native Netherlands, Verhoeven got his film breakthrough with the romantic drama Turkish Delight (1973), starring frequent collaborator Rutger Hauer. The film was nominated for the Academy Award for Best Foreign Film and later received the award for Best Dutch Film of the Century at the Netherlands Film Festival. Verhoeven later directed successful Dutch films including the period drama Keetje Tippel (1975), the war film Soldier of Orange (1977), the teen drama Spetters (1980) and the psychological thriller The Fourth Man (1983).

In 1985, Verhoeven made his first Hollywood film Flesh and Blood and later had a successful career in the United States, directing science fiction films such as RoboCop (1987), Total Recall (1990), Starship Troopers (1997) and Hollow Man (2000), as well as the erotic thriller Basic Instinct (1992).

He later returned to Europe, making the Dutch war film Black Book (2006), French psychological thriller Elle (2016), and the religious drama Benedetta (2021), all receiving positive reviews. Black Book and Elle were both nominated for BAFTA Award for Best Film Not in the English Language and Elle won Golden Globe Award for Best Foreign Language Film and César Award for Best Film. Black Book was also voted by the Dutch public, in 2008, as the best Dutch film ever made. In contrast, he won the Golden Raspberry Awards for Worst Picture and Worst Director for Showgirls (1995); he is one of the few people to have accepted their Golden Raspberry awards in person, and was the first person to go to the ceremony to receive it. Showgirls was a notorious box office flop at its initial theatrical release, but later enjoyed huge success in the home video market and became a cult classic. Verhoeven's films altogether received a total of nine Academy Award nominations, mainly for editing and effects.