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"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby I sat quietly without moving, looking at the background until the pieces began to move without my inventing things for them to do. I found that, given the chance, they really did have important business to attend to, and my job was to furnish them with the power of motion. I never deviated from this plan." —Canyon Cinema
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Submit to Me Now
Sadomasochistic images of self-mutilation.
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Avant garde exploration of the marriage broker joke and other things.
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Oh Dem Watermelons
Commissioned by the San Francisco Mime Troupe as a short to be screened during intermission for its rather infamous 1965 Minstrel Show (Civil Rights from the Cracker Barrel), which assaulted racial st...
Al Clah was not a Navajo from Pine Springs. He said: they making films about things out there, the trading post, things you can see; I'm making films about inside: I like to see scenes that people nev...
A Navajo Weaver
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), The Navajo Silversmith (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow We...
Visions in Meditation #4: D.H. Lawrence
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Mosaic in Trust
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Filmed in New York in 1964, completed in London 1967.
A short film documenting what was referred to as "The International Poetry Incarnation". It was billed as Great Britain's first full-scale "happening", with the world's leading Beat poets together und...
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