Heather Begg

Dame Isoleen Heather Begg (1 December 1932 – 12 May 2009) was a New Zealand-born operatic mezzo-soprano who spent most of her career in the United Kingdom and Australia. She was "a versatile artist" with a "gift for comedy", and became renowned as the title role in Bizet's Carmen, Amneris in Verdi's Aida and in lighter operas such as The Gondoliers. Born in Nelson, New Zealand in 1932, Begg studied in Auckland with Sister Mary Leo and at the New South Wales State Conservatorium, during which time she won the 1955 Sydney Sun Aria contest. She was engaged as a principal mezzo-soprano with the National Opera of Australia from 1954 to 1956. Her professional debut in 1954 was as Azucena in Verdi's Il trovatore.She went to London in 1957 to attend the London Opera Centre on a musical scholarship. Between 1959 and 1962 she appeared with the Carl Rosa Opera Company, the New Opera Company, the Royal Opera with whom she made her British debut as Grimgerde in Die Walküre at Covent Garden in 1959. and the English Opera Group in a wide variety of roles. In 1959, she took part in the New Zealand Music Society's concert at the Wigmore Hall, with a performance of Hindemith's The Four Temperaments; the following year Sadler's Wells offered her the part of "Goddess Juno" in Offenbach's Orpheus in the Underworld, where she discovered she had a talent for comic opera. She returned to New Zealand in 1964 to sing with the New Zealand Opera Company until 1966, but still made guest appearances at Bordeaux, Chicago and elsewhere. In the new production of Patience for Sadler's Wells Opera in 1969 as the Lady Jane she played the double bass along with singing.She was a principal resident mezzo-soprano at the Royal Opera, Covent Garden, where she stayed from 1969 to 1976. Her roles there included Flora in La traviata, Mary in The Flying Dutchman, Emilia in Otello, Mamma Lucia in Cavalleria rusticana, Madame Larina in Eugene Onegin, the Grandmother in Jenůfa, Marthe in Faust, Mrs Sedley in Peter Grimes, Teresa in La sonnambula, Anna in Les Troyens, and Marina Mnishek in Boris Godunov.

In 1975 she appeared as Marcellina in the Chicago Lyric Opera's production of The Marriage of Figaro, which led to her reprising the role in Jean-Pierre Ponnelle's film of the work, where she appeared alongside Mirella Freni as Susanna and Hermann Prey as Figaro. She also appeared in Gilbert and Sullivan at the BBC Proms in 1971 and 1972, also taken part in a concert performance of Peter Grimes (Mrs Sedley) there in 1975. She also appeared as Katisha in The Mikado at The Sydney Opera House with The Australian Opera, a performance issued on video.

In 1976 she accepted an invitation from Richard Bonynge to join the Australian Opera, where she remained for the rest of her career. Here she took on major roles such as Carmen and Amneris, and appeared in Boris Godunov and The Mastersingers of Nuremberg. Her final appearance was at the Sydney Opera House in 2006 to recreate Grandmother Buryjovka in Jenůfa (which she had sung at Covent Garden in 1972 and 1974), conducted by Richard Hickox.

Beyond the UK and Australasia, she appeared on stage with companies in Strasbourg, Bordeaux, Orange, Barcelona, Milan, Chicago, San Francisco, San Diego, and Vancouver.