I Take These Truths
Fecha de Lanzamiento: 13 de octubre de 1995
Tiempo de ejecución: 18m
Donde Ver & Streaming Online
Comprobar en Amazon
This film is entirely hand-painted and is composed of such an evolution of variably colored shapes that their inter-action with each other should constitute a purely visual "self-evident" (as prompted by the title). Each frame is printed twice, so that its effective speed (at 24fps) is 12 frames per second. A variety of organic and crystalline painted shapes (painted on clear leader, thus as if brilliantly back-lit in a blazing space of light) are interspersed with very dark (black leader) passages as if etched with scratches of light and stained radiances. There are also some straight, multi-colored, bars which move, diagonally from one side of the film frame to the other. All these "themes" finally give way to clear thick gelatinous effects which resolve themselves in a long passage of hieroglyphic white shapes in a black field, ending on a brief spate of variable coloration.
Equipo y Reparto.
También Te Puede Interesar.
Mira los otros títulos que podrían interesarte
No hay información sobre el director de la película.
23rd Psalm Branch: Part II
The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna...
The Cat of the Worm's Green Realm
Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by autumn leaves against a grainy sky, a fiery sky. A gr...
Visions in Meditation #3: Plato's Cave
A short film by Stan Brakhage featuring music by Rick Corrigan.
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious or Can the Avant-Garde Artist Be Wholed?
Avant garde exploration of the marriage broker joke and other things.
The Domain of the Moment
An experimental film by Stan Brakhage. Frenetic editing and hand-painted film accompany scenes of dogs and raccoons, snakes and mice.
Una película sobre la naturalidad de la sexualidad. Sus cuatro secuencias cuentan con heterosexuales y homosexuales de hacer el amor, perros copulando, y niños desnudos en juego.
23rd Psalm Branch: Part I
In this haunting but lyrical meditation on war, Brakhage intercuts 8-mm footage of Colorado with imagery from WWII newsreels. He responds to the violence and nightmare of war by painting directly on t...
In honor of the cat, so named, and the goddess of all cats which she was named after. - CAT Film Festival
This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over...
Visions in Meditation #4: D.H. Lawrence
A short film by Stan Brakhage.
Visions in Meditation #2: Mesa Verde
Esta meditación toma sus imperativos visuales de la ocasión de Mesa Verde.
The Mammals of Victoria
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed o...
The Kidnappers Foil
The Kidnappers Foil was an American short film. It was made by Melton Barker numerous times between the 1930s to 1970s. Each iteration featured small-town children as actors (a different small-town in...
The final Duplicity in this series does seem a resolve with the term. All previous visual manifestations have been extended (thru four-roll superimpositions) to their limit. Obvious costumes and masks...
Yggdrasill: Whose Roots Are Stars in the Human Mind
A combination of hand-painting and photography.
Boulder Blues and Pearls and...
Imaginación periférica de la vida diaria como la mente la tiene - es decir, un éxtasis aterrador de (pintado a mano) nervios sinapting termina retrocediendo por el agarre de la vida del pensamiento.
A short film by Stan Brakhage