Broadway Bill (1934)

1h 44m
Running Time

November 30, 1934
Release Date

Broadway Bill (1934)

1h 44m
Running Time

November 30, 1934
Release Date

External Links & Social Media
Network & Production Companies
Columbia Pictures

Plot.

Tycoon J.L. Higgins controls his whole family, but one of his sons- in-law, Dan Brooks and his daughter Alice are fed up with that. Brooks quits his job as manager of J.L.'s paper box factory and devotes his life to his racing horse Broadway Bill, but his bank- roll is thin and the luck is against him, he is arrested because of $150 he owes somebody for horse food, but suddenly a planed fraud by somebody else seems to offer him a chance..

Where to Watch.

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This Movie Is About.

horseΒ Β·Β 
gamblingΒ Β·Β 
heiressΒ Β·Β 
colonelΒ Β·Β 

Cast & Crew.

Details.

Release Date
November 30, 1934

Status
Released

Running Time
1h 44m

Content Rating
NR

Budget
$668,900

Box Office
$1,400,000

Genres

Wiki.

Broadway Bill is a 1934 American comedy-drama film directed by Frank Capra and starring Warner Baxter and Myrna Loy. Screenplay by Robert Riskin and based on the short story "Strictly Confidential" by Mark Hellinger, the film is about a man's love for his thoroughbred race horse and the woman who helps him achieve his dreams. Capra disliked the final product, and in an effort to make it more to his liking, he remade the film in 1950 as Riding High. In later years, the distributor of Riding High, Paramount Pictures, acquired the rights to Broadway Bill. The film was released in the United Kingdom as Strictly Confidential.

Broadway Bill was filmed between June 18 and August 16, 1934 at Columbia Studios in Hollywood, and on location at Tanforan Racetrack in San Bruno, Warner Bros. Ranch, and the Pacific Coast Steel Mills. After an initial preview on October 24, Capra re-edited some scenes based upon audience reaction. The film premiered on November 30, 1934 in New York City, and was released in the United States on December 27, 1934. The film received positive reviews, with Andre Sennwald in The New York Times calling it "sly and impertinent screen comedy, painlessly whimsical and completely engaging".

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