Travel as mediated spectacle, a time lapse journey from Vancouver to Reno and Las Vegas Nevada; speed as stasis, abstraction, violence, culminating in a 'televised abduction and police chase at the border' and a 'letter to home'. Within this long, high-speed with time-lapse drive through deserts and neon wastelands of 'Amerika', we can ask: 'Who is the voyeur, who kidnaps who, who is cruising the boulevards, and who is the object of the gaze'?

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