Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)


Plot.
Where to Watch.






Currently Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is available for streaming online, rent, buy or watch for free on: Criterion Channel, Apple TV, Amazon Video, Max Amazon Channel, Max, Fandango At Home
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Cast & Crew.

Delphine Seyrig
Jeanne Dielman

Jan Decorte
Sylvain Dielman

Henri Storck
1st Caller

Jacques Doniol-Valcroze
2nd Caller

Yves Bical
3rd Caller

Chantal Akerman
Neighbor (voice) (uncredited) / Director / Writer

Jacky Dufour
Sound Effects

Babette Mangolte
Director of Photography

Patricia Canino
Editor

Philippe Graff
Art Direction

Corinne Jénart
Producer

Françoise Van Thienen
Sound Recordist

Éliane Marcus
Makeup Artist

Jean-Pol Ferbus
Assistant Art Director

Bénie Deswarte
Sound Recordist

Liliane de Kermadec
Producer
Media.
















Details.
Release DateJanuary 21, 1976
StatusReleased
Running Time3h 22m
Budget$120,000
Genres
Last updated:
This Movie Is About.
Wiki.
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (French pronunciation: [ʒan dilman vɛ̃ntʁwɑ kɛ dy kɔmɛʁs milkatʁəvɛ̃ bʁysɛl], "Jeanne Dielman, 23 Commerce Quay, 1080 Brussels") is a 1975 film written and directed by Belgian filmmaker Chantal Akerman. It was filmed over five weeks on location in Brussels, and financed through a $120,000 grant awarded by the Belgian government. Distinguished by its restrained pace, long takes, and static camerawork, the film is a slice-of-life depiction of a widowed housewife (Delphine Seyrig) over three days.
The film was met with mixed critical reception upon its release, but gained exposure in Europe and later became a cult classic, and is now considered to be one of the greatest films ever made. It has been labelled an exemplar of the slow cinema genre, as well as of feminist film. In a critics' poll conducted by The Village Voice in 2000, it was named the 19th-greatest film of the twentieth century. In the decennial critics' poll published by the British Film Institute's magazine Sight and Sound in 2022, it placed first.
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