Foreigners Out! Schlingensief's Container (2002)

1h 30m
Running Time

March 22, 2002
Release Date

Foreigners Out! Schlingensief's Container (2002)

1h 30m
Running Time

March 22, 2002
Release Date

External Links & Social Media

Plot.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

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Details.

Release Date
March 22, 2002

Original Name
Ausländer raus! Schlingensiefs Container

Status
Released

Running Time
1h 30m

Genres

Last updated:

This Movie Is About.

xenophobia
asylum seekers
austria
politics
art

Wiki.

Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a container camp on a square in the middle of Vienna. The film and performance was made in a style that imitated the show Big Brother. It critically aimed both at certain forms of television entertainment and at a latent xenophobia still thriving in the whole world. It created a heated week, capturing the European right-wing drift and exposing dormant and open xenophobia for the world to see.

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