1860 (1934)
1h 15m
Running Time
February 21, 1934Release Date
Plot.
The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.
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Cast & Crew.

Giuseppe Gulino
Carmelo Trau

Aida Bellia
Rosuzza Trau

Gianfranco Giachetti
padre Costanzo

Mario Ferrari
colonnello Carini

Maria Denis
Clelia

Ugo Gracci
il mazziniano

Vasco Creti
l'autonomista

Totò Majorana
padre di Rosuzza

Turi Pandolfini
un altro cittadino siciliano

Cesare Zoppetti
il giobertiano

Laura Nucci
ragazza siciliana

Otello Toso
soldato piemontese

Andrea Checchi
un soldato

Alessandro Blasetti
Director / Writer / Editor

Giulio De Luca
Director of Photography

Gino Marinuzzi Jr.
Composer

Nino Medin
Original Music Composer

Anchise Brizzi
Director of Photography

Gino Mazzucchi
Story / Screenplay

Emilio Cecchi
Producer / Writer

Angelo Canevari
Production Design

Ignazio Ferronetti
Editor

Giacinto Solito
Editor

Vittorio Cafiero
Production Design
Details.
Release DateFebruary 21, 1934
Original Name1860 - I mille di Garibaldi
StatusReleased
Running Time1h 15m
Genres
Last updated:
Wiki.
1860 is a 1934 Italian historical film directed by Alessandro Blasetti, starring Giuseppe Gulino, Aida Bellia and Gianfranco Giachetti.
The film presages Italian neorealism in that it was shot mainly on location while some scenes were shot at the Cines Studios in Rome. Also, most contemporaneous historical epics used a star to focus on grand historical characters. This film focuses on a character who nobody knows or will ever know, a patriot riding to get the assistance of Giuseppe Garibaldi. This film (in its heralding of neorealism) illustrates how the average man plays a part in grand histories. The film also uses non-actors (a key element of Italian neorealism), a rarity for its time and era.
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