Komal Gandhar (1961)

2h 4m
Running Time

March 30, 1961
Release Date

Komal Gandhar (1961)

2h 4m
Running Time

March 30, 1961
Release Date

External Links & Social Media

Plot.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

Where to Watch.

HoichoiSubs

Currently Komal Gandhar is available for streaming online, rent, buy or watch for free on: Hoichoi

Streaming in:
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Cast & Crew.

Mani Srimani

Mani Srimani

Speaker

Ravi Chatterjee

Ravi Chatterjee

Art Direction

Subodh Das

Subodh Das

Set Decoration

Basir Ahmed

Basir Ahmed

Makeup Artist

Manotosh Roy

Manotosh Roy

Makeup Artist

Shailen Ghosh

Shailen Ghosh

Production Manager

Patito Mondal

Patito Mondal

Production Manager

Punu Sen

Punu Sen

Second Unit

Nitai Basu

Nitai Basu

Title Graphics

Suresh Chandra Chandra

Suresh Chandra Chandra

Art Department Assistant

Barju Mohanty

Barju Mohanty

Art Department Assistant

Chhedilal Sharma

Chhedilal Sharma

Art Department Assistant

Debesh Ghosh

Debesh Ghosh

Sound Recordist

Mrinal Guhathakurta

Mrinal Guhathakurta

Sound Recordist

Prabhas Bhattacharya

Prabhas Bhattacharya

Lighting Camera

Govinda Chatterjee

Govinda Chatterjee

Editorial Production Assistant

Sunit Mukherjee

Sunit Mukherjee

Nripen Lahiri

Nripen Lahiri

Sunil Bhattachaya

Sunil Bhattachaya

Ketaki Dutta

Ketaki Dutta

Mohammed Israil

Mohammed Israil

Devi Neogy

Devi Neogy

Arun Chowdhury

Arun Chowdhury

Tilottama Bandyopadhyay

Tilottama Bandyopadhyay

Details.

Release Date
March 30, 1961

Original Name
কোমল গান্ধার

Status
Released

Running Time
2h 4m

Genres

Last updated:

This Movie Is About.

india

Wiki.

Komal Gandhar (Bengali: কোমল গান্ধার Kōmal Gāndhār), also known as A Soft Note on a Sharp Scale, is a 1961 Bengali film written and directed by legendary film maker Ritwik Ghatak. The title refers to the Hindustani equivalent of "E-flat". It was part of the trilogy composed of Meghe Dhaka Tara (1960), Komal Gandhar and Subarnarekha (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre. The film explores three themes juxtaposed in the narrative: the dilemma of Anusuya, the lead character, the divided leadership of IPTA, and the fallout from the partition of India.

Partition Trilogy.

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