Komal Gandhar (1961)
2h 4m
Running Time
March 30, 1961Release Date
Plot.
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
Where to Watch.
Subs
Currently Komal Gandhar is available for streaming online, rent, buy or watch for free on: Hoichoi
Streaming in:🇺🇸 United States
This Movie Is About.
Cast & Crew.
Supriya Choudhury
Ansuya
Abanish Banerjee
Bhrigu
Anil Chatterjee
Rishi
Satindra Bhattacharya
Shibnath
Chitra Mandal
Jaya
Gita Dey
Shanta
Gyanesh Mukhopadhyay
Debu Bose
Bijon Bhattacharya
Gagan
Mantu Ghosh
Actor
Satyabrata Chattopadhyay
Prabhat
Dwiju Bhawal
Actor
Nirmal Ghosh
Ritwik Ghatak
Director
Jyotirindra Moitra
Composer
Dilip Ranjan Mukhopadhyay
Cinematographer
Ramesh Joshi
Editor
Mani Srimani
Speaker
Ravi Chatterjee
Art Direction
Subodh Das
Set Decoration
Basir Ahmed
Makeup Artist
Manotosh Roy
Makeup Artist
Shailen Ghosh
Production Manager
Patito Mondal
Production Manager
Punu Sen
Second Unit
Nitai Basu
Title Graphics
Suresh Chandra Chandra
Art Department Assistant
Barju Mohanty
Art Department Assistant
Chhedilal Sharma
Art Department Assistant
Debesh Ghosh
Sound Recordist
Mrinal Guhathakurta
Sound Recordist
Prabhas Bhattacharya
Lighting Camera
Govinda Chatterjee
Editorial Production Assistant
Sujit Sarkar
Sound Recordist
Ajit Lahiri
Producer
Salil Choudhury
Chitra Sen
Abhi Bhattacharya
Debabrata Biswas
Narayan Dhar
Sumita Dasgupta
Sunit Mukherjee
Nripen Lahiri
Sunil Bhattachaya
Ketaki Dutta
Mohammed Israil
Devi Neogy
Arun Chowdhury
Tilottama Bandyopadhyay
Media.
Details.
Release DateMarch 30, 1961
Original Nameকোমল গান্ধার
StatusReleased
Running Time2h 4m
Genres
Last updated:
Wiki.
Komal Gandhar (Bengali: কোমল গান্ধার Kōmal Gāndhār), also known as A Soft Note on a Sharp Scale, is a 1961 Bengali film written and directed by legendary film maker Ritwik Ghatak. The title refers to the Hindustani equivalent of "E-flat". It was part of the trilogy composed of Meghe Dhaka Tara (1960), Komal Gandhar and Subarnarekha (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre. The film explores three themes juxtaposed in the narrative: the dilemma of Anusuya, the lead character, the divided leadership of IPTA, and the fallout from the partition of India.
Partition Trilogy.
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