Identification Marks: None (1965)
Identification Marks: None (1965)
Network & Production Companies
Plot.
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Where to Watch.
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Cast & Crew.
Jerzy Skolimowski
Andrzej Leszczyc / Art Direction / Director / Screenplay
Elżbieta Czyżewska
Teresa / Barbara / Leszczyc's wife
Tadeusz Minc
Jacek Szczęk
Mundek
Andrzej Żarnecki
Raymond
Juliusz Lubicz-Lisowski
Man in the phone booth (uncredited)
Czesław Piaskowski
Resistance member picking up bottles (uncredited)
Marek Piwowski
Man at the draft board (uncredited)
Leon Niemczyk
Radio speaker (voice) (uncredited)
Janusz Kłosiński
Resistance member picking up bottles (voice) (uncredited)
Witold Mickiewicz
Director of Photography
Halina Gronek
Editor
Jan Czerwiński
Sound
Krzysztof Sadowski
Original Music Composer
Józef Siwek
Assistant Production Manager
Jerzy Rybicki
Sound Assistant
Details.
Release DateNovember 18, 1965
Original NameRysopis
StatusReleased
Running Time1h 11m
Genres
Last updated:
Wiki.
Identification Marks: None (Polish: Rysopis) is a 1965 Polish drama film directed by Jerzy Skolimowski. It was the first feature film directed by Skolimowski, after the shorts Erotique, Little Hamlet, The Menacing Eye, Boxing and Your Money or Your Life.
The film is the first to feature Skolimowski's alter ego, Andrzej Leszczyc. In 29 shots, it shows Andrzej waking, leaving his sleeping girlfriend as he reports for conscription, having decided to quit his life as a student of ichthyology. The film follows his remaining hours of civilian life.
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