The Creature (Spanish: La criatura) is a 1977 drama film, directed by Eloy de la Iglesia. The plot follows a respectable bourgeois housewife who chooses the love for her black German Shepherd over her relationship with her husband. La criatura is notable, like Walerian Borowczyk's La Bête (1975) and Nagisa Oshima's Max, Mon Amour (1986), for openly involving zoophilia, then a novelty in Spanish Cinema.

Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that after the death of Francisco Franco, tried to maintain the dictator's political ideals.