Although the film does not allude to anyone with known names of their own, it is about the events starring the workers' leader, who disappeared in 1976, René Salamanca in the Cordoba trade unionism of the 1970s. The story is developed from three narrative instances: in a social context the life of Raúl Salas, figurative name of the character is developed; a young intellectual, Muñíz, the author of the Salas speeches, and his written voice, articulates segments of the theme sometimes in front of the camera of a fiction director, others in solitude; the same Salas, wrapped in an abandoned factory atmosphere, intuits the future in a dimension of the past and introduces the spectator in the justification of the final planes, the lonely and sad ones that are remembered on the Argentine screen.

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