The Song of the Scarlet Flower (1938)
December 4, 1938Release Date
The Song of the Scarlet Flower (1938)
December 4, 1938Release Date
Plot.
Where to Watch.
Cast & Crew.

Kille Oksanen
Olavi Koskela

Rakel Linnanheimo
Kyllikki Moisio / Makeup Artist

Mirjami Kuosmanen
Annikki

Nora Mäkinen
Elli

Birgit Nuotio
The Dark Girl

Maire Ranius
Pihlajanterttu

Sylvi Palo
Prostitute

Aku Peltonen
Lumberjack boss

Veikko Linna
Mr. Moisio

Lauri Korpela
Mr. Koskela

Ida Kallio
Lady of Koskela

Onni Veijonen
Toivo

Elli Ylimaa
Midwife

Paavo Kuoppala
Boy

Teuvo Tulio
Director / Producer / Editor

Johannes Linnankoski
Novel

Toivo Lampén
Original Music Composer

Fred Runeberg
Director of Photography

Leo Salminen
Sound

Yrjö Kivimies
Screenplay
Media.

Details.
Release DateDecember 4, 1938
Original NameLaulu tulipunaisesta kukasta
StatusReleased
Running Time1h 50m
Genres
Last updated:
This Movie Is About.
Wiki.
The Song of the Scarlet Flower (Finnish: Laulu tulipunaisesta kukasta, Swedish: Sången om den eldröda blomman) is a 1938 Finnish romance and drama film. It is based on the novel The Song of the Blood-Red Flower by Johannes Linnankoski, telling the story of a glib log driver Olavi Koskela, who spends his free time flirting with young maids. Film is directed by Teuvo Tulio and it stars Kaarlo Oksanen, Rakel Linnanheimo (sister of Regina Linnanheimo), Mirjami Kuosmanen, Nora Mäkinen, Birgit Nuotio and Maire Ranius. The film was the first Finnish adaptation of the book, with the two previous adaptations being Swedish.
Tulio said he was interested mainly in the book's intense and sensuals love scenes but also in the rafting sessions, which he then used in three later films as well. The film's rafting scenes were shot at the Mankalankoski rapids in Iitti.
The film was premiered in Finland on December 4, 1938. Tulio got his work distributed in Sweden, where the first performance was on October 16, 1939 in Stockholm. In Finland, the audience success of the film was the best of the domestic premieres of 1938, although the film received a rather mixed reception from critics. By the time the 1980s came, the tone of the film's reviews had turned more positive.
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