The Sorrows of Satan (1926)
1h 29m
Running Time
October 12, 1926Release Date
The Sorrows of Satan (1926)
1h 29m
Running Time
October 12, 1926Release Date
Network & Production Companies

Plot.
Geoffrey is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his poverty, in his anger he curses God for abandoning him. Soon Geoffrey meets Prince Lucio de Rimanez, a wealthy, urbane gentleman who informs Geoffrey that he has inherited a fortune, but that he must place himself in the Prince's hands in order to enjoy the fruits of his inheritance. What Geoffrey doesn't know is that Prince Lucio is actually Satan.
Where to Watch.
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Cast & Crew.

Adolphe Menjou
Prince Lucio de Rimanez

Ricardo Cortez
Geoffrey Tempest

Carol Dempster
Mavis Claire

Lya De Putti
Princess Olga Godovsky

Ivan Lebedeff
Amiel

Marcia Harris
The Landlady

Lawrence D'Orsay
Lord Elton

Nellie Savage
The Dancer

Dorothy Hughes
Mavis's Chum

Josephine Dunn

Dorothy Nourse

Eddie Dunn
Marriage Clerk (uncredited)

Eden Gray
Englishwoman in Lord Elton's Company (uncredited)

Wilfred Lucas
Minister (uncredited)

Nina Quartero
Vamp

Sylvia Sidney
Bridesmaid (uncredited)

D.W. Griffith
Director / Producer

Marie Corelli
Novel

John Russell
Adaptation

Forrest Halsey
Screenplay

Julian Johnson
Title Designer / Editor

George C. Hull
Adaptation

James Smith
Editor

Norman Bel Geddes
Art Direction

Charles M. Kirk
Art Direction

Frank Walsh
Assistant Director

Jesse L. Lasky
Presenter

Adolph Zukor
Presenter

Arthur de Titta
Director of Photography

Harry Fischbeck
Director of Photography

Hugo Riesenfeld
Original Music Composer

Ruby Blaine
Media.








Details.
Release DateOctober 12, 1926
StatusReleased
Running Time1h 29m
Budget$971
Genres
Last updated:
This Movie Is About.
angel
heaven
satan
poverty
temptation
Wiki.
The Sorrows of Satan is a 1926 American silent drama film directed by D. W. Griffith, and based on the 1895 allegorical horror novel The Sorrows of Satan by Marie Corelli.
Reportedly Griffith did not want to do this project, but as his first Paramount Pictures assignment he was not given a choice. However, the film turned out to be one of Griffith's most fully realized works and its critical stock has risen considerably in the last several decades.
The film featured Carol Dempster in her final screen role, although she lived until 1991.
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