Ain't Misbehavin' (1982)

1h 33m
Running Time

June 21, 1982
Release Date

Ain't Misbehavin' (1982)

1h 33m
Running Time

June 21, 1982
Release Date

External Links & Social Media
Network & Production Companies
Showtime Networks
NBC

Plot.

Ain't Misbehavin' is the televised version of the 1978 Tony Award-winning Broadway sensation celebrating the music, life and times of Thomas "Fats" Waller — featuring 29 songs written or inspired by him. The telecast won Emmy Awards for Nell Carter and André De Shields.

Where to Watch.

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Cast & Crew.

Murray Horwitz

Murray Horwitz

Musical

Fats Waller

Fats Waller

Musical

Andrew J. Selig

Andrew J. Selig

Associate Producer

Chuck Smith

Chuck Smith

Production Manager

John Lee Beatty

John Lee Beatty

Set Designer

Dennis Roof

Dennis Roof

Art Direction

Randy Barcelo

Randy Barcelo

Costume Design

Warren Morrill

Warren Morrill

Costume Assistant

Zora Sloan

Zora Sloan

Hairdresser

Meryl O'Loughlin

Meryl O'Loughlin

Casting

Alvin Cooperman

Alvin Cooperman

Producer / Executive Producer

Otts Munderloh

Otts Munderloh

Sound Designer

Allen Patapoff

Allen Patapoff

Sound

Michael Higuera

Michael Higuera

Camera Operator

Roy Holm

Roy Holm

Camera Operator

Reed Howard

Reed Howard

Camera Operator

Don Barker

Don Barker

Camera Operator

Buddy Bregman

Buddy Bregman

Producer

George Falardeau

George Falardeau

Camera Operator

Arthur Faria

Arthur Faria

Choreographer

Details.

Release Date
June 21, 1982

Status
Released

Running Time
1h 33m

Content Rating
PG

Genres

Last updated:

This Movie Is About.

filmed theater
musical

Wiki.

Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'".

The musical is a tribute to the music of Fats Waller. It was a time when Manhattan nightclubs such as the Cotton Club and the Savoy Ballroom were the playgrounds of high society and Lenox Avenue dives were filled with piano players banging out the new beat known as swing. Five performers present an evening of rowdy, raunchy, and humorous songs that encapsulate the various moods of the era and reflect Waller's view of life as a journey meant for pleasure and play.

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