«A hand at the top right of the screen throws three dice. They tumble, become still, are picked up and thrown again. The scene is projected on two large walls that face each other; the two projections are asynchronous. A malaise sets in with the consciousness of the presence of a mirror against which the dice bounce. The spectators are prey to a monochromatic phantasmagoria where real and virtual images of the die faces in the mirror are confounded, where a wall becomes the mirror of the other. The black dots on the dice faces such as dead heads taunt us with their random apparitions.». (Jean-Pierre Bertrand)

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