Attack of the Robots (1966)

1h 32m
Running Time

April 27, 1966
Release Date

Attack of the Robots (1966)

1h 32m
Running Time

April 27, 1966
Release Date

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Plot.

Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.

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Streaming in:
🇫🇷 France

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Details.

Release Date
April 27, 1966

Original Name
Cartes sur table

Status
Released

Running Time
1h 32m

Genres

Last updated:

This Movie Is About.

spy
robot

Wiki.

Attack of the Robots (Spanish: Cartas boca arriba, lit. 'Cards Face Up') is a 1966 spy film directed by Jesús Franco. The film stars Eddie Constantine as Al Pereira, a spy brought out of retirement to investigate a series of murders conducted by a robot-like army of people with black-framed glasses and strange darkened skin.

The film was a co-production between the Madrid-based Hesperia Film and the Paris-based Cine Alliance and Spéva Films, the same group that had previously financed The Diabolical Dr. Z (1966). Franco signed on to the project after it had already been sold throughout the world as a project starring Constantine in a spy-oriented narrative. Written by Jean-Claude Carrière, it would be the last of his collaborations with Franco. The two decided to play on the perceived notion of Constantine's film persona, making his character a more clumsy spy.

The film was released in France and Spain in 1966. The film debuting at ninth spot in Paris box office between April 27 to May 3 while film historians Francesco Cesari and Roberto Curti described the film as being a "good commercial success" in Spain. While reviews in Spanish newspapers ABC and El Mundo Deportivo gave generally positive reviews to the film, it was received poorly by the critics of Spanish film magazine Film Ideal and the French magazine Image et son.

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