The Man Without Tomorrow (1976)
January 1, 1976Release Date
The Man Without Tomorrow (1976)
January 1, 1976Release Date
Plot.
Where to Watch.
Cast & Crew.
Cüneyt Arkın
Murat Demir
Betül Aşçıoğlu
Zeliş
Bilâl İnci
Baba
Macit Flordun
Öğretmen Kemal
Orhan Alkan
Danışman
İhsan Baysal
Murat'ın Şoförü Emekçi Kemal
Yüksel Gözen
Akif Danaoğlu
Mine Sun
Kemal'in Karısı
Kahraman Kıral
Ferhat
Yusuf Çetin
Fedai
Baykal Kent
Kulüp Sahibi
Kudret Karadağ
Fedai
Mete İnselel
Çarşı Dayı
Kadir Kök
Fedai
Cahit Berkay
Composer
Yadigar Ejder
Fedai
Kaya Ererez
Cinematographer
Süleyman Karakaya
Editor
Ömer Kahraman
Küçük Kemal
Engin İşsever
Küçük Kemal
İhsan Gedik
Fedai
Aydın Haberdar
Avukat'ın Adamı
Reşit Çıldam
Bakkal
Diclehan Baban
Randevu Evi Sahibi
Sönmez Yıkılmaz
Gemide Dayak Yiyen Adam
Zeki Sezer
Kabzımal
Muzaffer Cıvan
Tatar Seyfi
Ali Ceylan
Fedai
Niyazi Enginsu
Dilenci
Cevdet Arıkan
Zengin Adam
Celal Yonat
Gardiyan
Bahri Ateş
İmam
Mustafa Yavuz
Gardiyan
Abdi Algül
Dili Kesilen Adam
Ali Demir
Hakim
Mehmet Bulduk
Murat'ın Küçükken Öldürdüğü Koğuş Ağası / Mahkûm
Yılmaz Kurt
Fedai
Niyazi Gökdere
Fedai
Abdurrahman Palay
Cüneyt Arkın (voice)
Gülen Kıpçak
Betül Aşçıoğlu (voice)
Details.
Release DateJanuary 1, 1976
Original NameYarınsız Adam
StatusReleased
Running Time1h 24m
Genres
Last updated:
This Movie Is About.
Wiki.
Yarınsız Adam is a Turkish political film by Remzi Aydın Jöntürk, the first in his trilogy. It was succeeded by Satılmış Adam (Sold Man) and Yıkılmayan Adam (Indestructible Man), both filmed in 1977. The film is about the story of Murat, portrayed by Cüneyt Arkın. Murat helps his friend, Kemal, when they are escaping from the police because they steal to survive. This help costs Murat badly and he is sent to prison. During the runtime of the film, viewers see the world from the eyes of a criminal, who lived his childhood in poverty, and understand the gap between the rich and poor in Turkey.
Just like the themes of the other political films of Jöntürk, there is a socialist message, an attribution to the inequality of the system. Jöntürk prefers to do it rather sharply in some scenes of the film. For example, the poor little boy that gets in the car of Murat directly states that the rich and the poor can't be friends because wealthy people can't understand the feelings of poor people.