The Man Without Tomorrow (1976)
January 1, 1976Release Date
The Man Without Tomorrow (1976)
January 1, 1976Release Date
Plot.
Where to Watch.
Cast & Crew.

Cüneyt Arkın
Murat Demir

Betül Aşçıoğlu
Zeliş

Bilâl İnci
Baba

Macit Flordun
Öğretmen Kemal

Orhan Alkan
Danışman

İhsan Baysal
Murat'ın Şoförü Emekçi Kemal

Yüksel Gözen
Akif Danaoğlu

Mine Sun
Kemal'in Karısı

Kahraman Kıral
Ferhat

Yusuf Çetin
Fedai

Baykal Kent
Kulüp Sahibi

Kudret Karadağ
Fedai

Mete İnselel
Çarşı Dayı

Kadir Kök
Fedai

Cahit Berkay
Composer

Yadigar Ejder
Fedai

Kaya Ererez
Cinematographer

Süleyman Karakaya
Editor

Ömer Kahraman
Küçük Kemal

Engin İşsever
Küçük Kemal

İhsan Gedik
Fedai

Aydın Haberdar
Avukat'ın Adamı

Reşit Çıldam
Bakkal

Diclehan Baban
Randevu Evi Sahibi

Sönmez Yıkılmaz
Gemide Dayak Yiyen Adam

Zeki Sezer
Kabzımal

Muzaffer Cıvan
Tatar Seyfi

Ali Ceylan
Fedai

Niyazi Enginsu
Dilenci

Cevdet Arıkan
Zengin Adam

Celal Yonat
Gardiyan

Bahri Ateş
İmam

Mustafa Yavuz
Gardiyan

Abdi Algül
Dili Kesilen Adam

Ali Demir
Hakim

Mehmet Bulduk
Murat'ın Küçükken Öldürdüğü Koğuş Ağası / Mahkûm

Yılmaz Kurt
Fedai

Niyazi Gökdere
Fedai

Abdurrahman Palay
Cüneyt Arkın (voice)

Gülen Kıpçak
Betül Aşçıoğlu (voice)
Details.
Release DateJanuary 1, 1976
Original NameYarınsız Adam
StatusReleased
Running Time1h 24m
Genres
Last updated:
This Movie Is About.
Wiki.
Yarınsız Adam is a Turkish political film by Remzi Aydın Jöntürk, the first in his trilogy. It was succeeded by Satılmış Adam (Sold Man) and Yıkılmayan Adam (Indestructible Man), both filmed in 1977. The film is about the story of Murat, portrayed by Cüneyt Arkın. Murat helps his friend, Kemal, when they are escaping from the police because they steal to survive. This help costs Murat badly and he is sent to prison. During the runtime of the film, viewers see the world from the eyes of a criminal, who lived his childhood in poverty, and understand the gap between the rich and poor in Turkey.
Just like the themes of the other political films of Jöntürk, there is a socialist message, an attribution to the inequality of the system. Jöntürk prefers to do it rather sharply in some scenes of the film. For example, the poor little boy that gets in the car of Murat directly states that the rich and the poor can't be friends because wealthy people can't understand the feelings of poor people.