Reflecting on this deconstructed family portrait, Beams writes, “This film taught me a lot about Time, as I rotoscoped my family at our summer cottage in Indiana. I was at MacDowell during a cold and dreary fall. The hours I spent tracing my loved ones as they sat in the sunlight gave me a powerful tool for grabbing onto happiness. I came out of the summer-light Indiana trance into a chilly rainy New Hampshire autumn, ready to head back to dinner in the dark, and I felt as though I had been with my family all day, in the best place we all enjoyed together. It seemed as though, by spending hours drawing a few short moments in their lives, I could extend their time and mine on this earth. I felt I had control in providing more time to them by drawing more frames than each frame of original film.”

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