Material is presented as short scenes: documentation of the quotidian, interviews, on-camera monologues, and performative or expressive shots that are constructed. So the material, while mostly generated as a diary, is heterogeneous enough to include just about any kind of footage. At one point, a baby cries inconsolably, in another, a boy in a baseball uniform is playing Bach while his mother sits next to him putting on mascara. The 18 minute video montage of impressions has a cumulative effect, accessed and read differently depending on the mental connections the viewer makes.

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