In 'I Dish' a naked woman dredges in filthy water. What is she looking for? Gold? Something she's lost? She brings up a series of barbaric-looking bits of metal, nasty looking hooks. In a film which has considered notions of nourishment, sex, love, cleanliness, silence, obsession and compulsion, Parker demonstrates her poetic by letting imagery have its mystery, resonate unforcedly on its own terms.

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