Subway is a subterranean passage that lies somewhere between fiction and diary, with literal and psychological overtones from the late ’60s. Framed within a ride on the Harvard/Ashmont Subway Line at rush hour–as the train fills and then empties, moving further from downtown Boston while I direct my 7-year-old nephew, Ben, to stand and look around, sit, get off, watch himself depart, get back on, and walk away–intercut with various scenes from my on-going (Bolex) film diary; seagulls circling, anti-war street demonstration past Playboy Club in downtown Boston, large dogs leaping into saltwater, crowd on escalator, Ben’s image in surveillance camera, twilight through half-built, backlit Coop City under construction…

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