It begins in 1910 and Buenos Aires prepares the fiestas of the Centenary of Independence Argentina. The country goes up they say, and a promising future is expected. Doña Carlota Garcia Dubourg, faithful representative of the Buenos Aires conservaturism that lives in a house on the outskirts of the city in charge of four orphan grandchildren: Adela, Eugenia, Carmen and Hipolito. On the occasion of this celebration return to Buenos Aires the uncle Marcelo, son of Carlota accompanied by Jose, son of the gardener of this family, became an important scenographer in Paris and summoned by the Colon for the staging of Rigoletto.

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