Here and Elsewhere (1976)

55m
Running Time

September 15, 1976
Release Date

Here and Elsewhere (1976)

55m
Running Time

September 15, 1976
Release Date

External Links & Social Media
Network & Production Companies
INA

Plot.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

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Currently Here and Elsewhere is available for streaming online, rent, buy or watch for free on: Canal VOD, Orange VOD

Streaming in:
🇫🇷 France

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Details.

Release Date
September 15, 1976

Original Name
Ici et Ailleurs

Status
Released

Running Time
55m

Genres

Last updated:

This Movie Is About.

revolution
resistance fighter
information war
arab stereotype
political documentary
israeli occupation
palestinian resistance
nouvelle vague
anti-imperialism
jean-luc godard
groupe dziga vertov
olp
jordania
black september

Wiki.

Here and Elsewhere (French: Ici et Ailleurs) is a 1976 documentary film by Jean-Luc Godard and Anne-Marie Miéville. It is a film essay, narrated by Godard and Miéville, which began as a film entitled Jusqu'à la victoire (Until Victory), undertaken by the Dziga Vertov Group, the partnership of Godard and Jean-Pierre Gorin who together made a number of political films between 1968 and 1972.

Here and Elsewhere incorporates footage of Palestinian fedayeen in Jordan, Lebanon, and the West Bank taken for Jusqu'à la victoire, which had been commissioned by the Arab League. The footage had been shelved in 1970 after many of the subjects were killed in the events of Black September.

Primarily the film is a criticism of how capitalism's use of media distorts the aims of liberative and revolutionary causes, among other aspects of economic and social disparities.

Ici et Ailleurs marks the beginning of Godard's transitional period, which found him experimenting in very original ways with video, and political and representational polemics; as such, it shares many of the traits of both his radical-era films and the video-centered work that followed. It is also one of his first projects with Miéville, who remained the major collaborator in his life and work since that period.

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