The Four Companions (1938)
1h 36m
Running Time
October 1, 1938Release Date
The Four Companions (1938)
1h 36m
Running Time
October 1, 1938Release Date
Plot.
Four graduates of an industrial design school team up and form a small business. The protagonist is so excited by the venture that she turns down the proposal of her dashing instructor. Time passes and her three partners lose interest in the business for different reasons. This leaves the heroine who has a change of heart and decides to forgo the business and marry the instructor after all.
Where to Watch.
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Cast & Crew.
Ingrid Bergman
Marianne Kruge
Sabine Peters
Käthe Winter
Hans Söhnker
Stefan Kohlund
Carsta Löck
Lotte Waag
Ursula Herking
Franziska
Leo Slezak
Professor Lange
Erich Ponto
Regierungsrat Alfred Hintze
Willi Rose
Straßenbahnschaffner
Heinz Welzel
Feinmechaniker Martin Bachmann
Rudolf Klicks
Direktor der graphischen Berufsschule
Karl Haubenreißer
Direktor der Seidenstrumpffabrik
Lotte Braun
Sekretärin des Fabrikdirektors
Wilhelm P. Krüger
Maurermeister am Neubau
Max Rosenhauer
Hauswart
Ernst G. Schiffner
Geschäftsmann, der keinen Auftrag erteilt
Hans Juergen Weidlich
Berliner Jüngling an der Litfaßsäule
Kurt Mikulski
Ausstellungsdiener
Fritz Lafontaine
1. Grafikschüler
Gustaf Dennert
2. Grafikschüler
Zarah Leander
Sängerin
Reimar Kuntze
Director of Photography
Carl Froelich
Director / Producer
Hansom Milde-Meißner
Music / Lyricist
Jochen Huth
Writer
Harald Braun
Assistant Director
Gustav Lohse
Editor
Rolf Hansen
Assistant Director
Carlheinz Becker
Sound
Arno Winkler
Unit Manager
Walter Borchert
Music Editor
Franz Schroedter
Production Design
Benno Stinauer
Assistant Camera
Media.
Details.
Release DateOctober 1, 1938
Original NameDie 4 Gesellen
StatusReleased
Running Time1h 36m
Genres
Last updated:
Wiki.
The Four Companions (German: Die vier Gesellen) is a 1938 German drama film directed by Carl Froelich and starring Ingrid Bergman, Sabine Peters and Carsta Löck. Jochen Huth adapted the script from his own play. It was shot at the Tempelhof Studios in Berlin with sets designed by the art director Franz Schroedter. The film was intended as a star vehicle to launch Bergman's career in Germany following her success in several Swedish films.
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