Man, Beast and Virtue (1953)
May 9, 1953Release Date
Man, Beast and Virtue (1953)
May 9, 1953Release Date
Plot.
Where to Watch.
Cast & Crew.

Totò
Prof. Paolino

Orson Welles
Captain Perella, the Beast

Viviane Romance
Assunta Perella

Mario Castellani
The doctor

Rocco D'Assunta
Zeppo

Carlo Delle Piane
Studente

Franca Faldini
Mariannina

Clelia Matania
Grazia

Italia Marchesini
Rosaria

Nino Vingelli

Salvatore Libassi
The steersman

Giancarlo Nicotra
Nonò

Steno
Director / Screenplay

Lucio Fulci
Screenplay / First Assistant Director

Vitaliano Brancati
Screenplay

Jean Josipovici
Screenplay

Valentino Trevisaneto
Unit Manager

Luigi Pirandello
Theatre Play

Mario Damicelli
Director of Photography

Angelo Francesco Lavagnino
Original Music Composer

Pier Giorgio Redi
Original Music Composer

Mario Chiari
Production Design

Piero Gherardi
Set Decoration

Gisa Radicchi Levi
Editor
Media.



Details.
Release DateMay 9, 1953
Original NameL'uomo, la bestia e la virtù
StatusReleased
Running Time1h 26m
Filming LocationsCetara, Italy
Genres
Last updated:
Wiki.
L'uomo, la bestia e la virtù (Italian pronunciation: [ˈlwɔːmo la ˈbestja e la virˈtu]), internationally released as Man, Beast and Virtue, is a 1953 Italian comedy film directed by Steno. It starred Italian comedian Totò and famed actor Orson Welles. The film was originally shot in Gevacolor, but only black-and-white prints exist today.
Sergio Leone and Lucio Fulci were both assistant directors on this film. Fulci said the film did not really do well, but it gave Fulci his first screenwriting credit, and he really enjoyed being in Orson Welles' presence. Welles was in Italy filming Othello at the time, and Fulci said Welles' entire diet consisted of oranges which he ate in massive quantities. Fulci described Totò as being a very sad figure, and said Carlo Ponti forced him to star in this film against his will as Totò had signed a contract with the producer. Although filming went past the contracted period, Ponti never paid Orson Welles a penny in overtime either.
The film was based on the 1919 novel and play of the same name by Luigi Pirandello. Pirandello's heirs were very disappointed with the film, which they said omitted most of the bawdy humor and the theme of dressing the actors up in animal costumes was jettisoned by the producers, leaving behind an emasculated version of Pirandello's play. The film vanished from sight for decades following its brief theatrical release, a black-and-white print only surfacing in the early 1990s, making it impossible to evaluate Mario Damicelli's much vaunted color cinematography.
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