My Ancestors Were Rogues and Murderers (2005)

55m
Running Time

January 1, 2005
Release Date

My Ancestors Were Rogues and Murderers

My Ancestors Were Rogues and Murderers (2005)

55m
Running Time

January 1, 2005
Release Date

External Links & Social Media
Network & Production Companies
National Film Board of Canada

Plot.

An exploration of the unique culture of Newfoundland's outports, the film revisits the PR coup that launched the animal rights movement onto the international stage: the 1977 Newfoundland visit, orchestrated by the International Fund for Animal Welfare, of French actress turned animal rights activist Brigitte Bardot to protest the area's ancestral sealing activities. Soon, inhabitants of the island's northern outports we're being introduced to the world as the epitome of brutality.

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This Movie Is About.

Details.

Release Date
January 1, 2005

Status
Released

Running Time
55m

Genres

Wiki.

My Ancestors Were Rogues and Murderers is a 2005 National Film Board of Canada documentary film by Newfoundland filmmaker Anne Troake, which explores her own family's ties to the seal hunt and seeks to mount a defense for the now-controversial practice. Troake documents how the seal hunt began to attract international outrage in 1977 following opposition from the International Fund for Animal Welfare (IFAW) and a high-profile visit by French film star and animal rights activist Brigitte Bardot.Through interviews with family members in Twillingate, including cousin and sealing spokesperson Garry Troake who died at sea just before the start of production, the director advances the argument that sealing is a time-honoured and environmentally responsible industry, while debunking what she sees as misconceptions about the hunt, including how seals are actually killed.Troake had planned on making the film prior to the death of her cousin Garry in 2000, and decided to continue with it as a way to honour his memory and continue his fight. My Ancestors Were Rogues and Murderers makes ample use of his commentary including accusations of hypocrisy against the IFAW. The film's title is taken from a quote by the filmmaker's grandmother, Jessie Troake Drover, who is also featured.

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