The Middle Passage (2000)
September 9, 2000Release Date
The Middle Passage (2000)
September 9, 2000Release Date
Plot.
Where to Watch.
Cast & Crew.
![Djimon Hounsou](https://images.moviefit.me/p/s/1827-djimon-hounsou.webp)
Djimon Hounsou
Narrator (voice - U.S. Version)
![Maka Kotto](https://images.moviefit.me/p/s/50864-maka-kotto.webp)
Maka Kotto
Narrator (voice)
![David Gaines](https://images.moviefit.me/default-images/p/s.webp)
David Gaines
Line Producer
![Patrick Chamoiseau](https://images.moviefit.me/p/s/727019-patrick-chamoiseau.webp)
Patrick Chamoiseau
Writer
![Jeff Florentiny](https://images.moviefit.me/default-images/p/s.webp)
Jeff Florentiny
Casting
![Claude Chonville](https://images.moviefit.me/default-images/p/s.webp)
Claude Chonville
Writer
![Amos Coulanges](https://images.moviefit.me/default-images/p/s.webp)
Amos Coulanges
Original Music Composer
![Salim Amrani](https://images.moviefit.me/default-images/p/s.webp)
Salim Amrani
Sound Recordist
Details.
Release DateSeptember 9, 2000
Original NamePassage du milieu
StatusReleased
Running Time1h 18m
Genres
Last updated:
Wiki.
The Middle Passage (French: Passage du milieu) is a 2000 docudrama film directed by Guy Deslauriers about the trans-Atlantic voyage of black slaves from the West Coast of Africa to the Caribbean, a part of the triangular slave trade route called the Middle Passage. It portrays the transportation of slaves from Senegal to the sugar plantations of Martinique and the miserable and often fatal conditions on board the slave ship. The script is by Patrick Chamoiseau based on a scenario by Claude Chonville. It was a Martinique-Senegal-France co-production and was screened at the 2000 Toronto International Film Festival.The film has no dialogue, only a voice-over, spoken by Maka Kotto. Visually, it presents disconnected, slow-motion views of the slaves to evoke both their suffering and the resistance it produced, the source of the blues and of West Indian identity. When it was generally released in February 2001, the reviewer for La Libération said that it successfully occupied a territory "somewhere between the fiction of phantoms and the documentary of fantasies". The reviewer for Le Monde judged it "a brave but ultimately unsuccessful attempt" to fill the "[cinematic] void" on this subject.
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