"This film was made in an effort to illustrate briefly the parody of life as a series of conflicts. For example the initial conflict between innocence and social convention, as seen in the confusion of a child. I have tried to project the subconscious conflict-contradiction-of life and inevitable death. Thus the film is in two movements as it were. In the first, a figure dressed in white to symbolise life, moves through and explores a series of structures and objects. In the second movement the figure is replaced by a figure in black, who wanders back through the wreckage of the structures. As death, she controls life until they write into nothingness." - Elaine Shemilt

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