In Blue Desert, Seoungho Cho transforms a sublime natural landscape into a stunning abstraction through precise electronic manipulation. Writes Cho: "Blue Desert is one in a series of ongoing visual struggles with Death Valley, a specific desert landscape which I have worked with since 1992. It is also not the last piece, as I have every intention to continue producing works about Death Valley. Death Valley has been quite simply my favorite place on the earth since my first visit in 1992."

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