Sweets from a Stranger (1987)
April 24, 1987Release Date
Sweets from a Stranger (1987)
April 24, 1987Release Date

Plot.
Where to Watch.
Cast & Crew.

Barbara De Rossi
Lena

Marina Suma
Angela

Athina Cenci
Nadine

Mara Venier
Stella

Laura Betti
Jolanda

Anny Papa
Monica

Gerardo Amato
il cliente e amante di Angela

Sabrina Ferilli
la prostituta romana

Maurizio Donadoni
ispettore Giusti

Anna Galiena
Isa

Lidia Broccolino
agente di polizia

Antonella Ponziani
prima vittima

Orsetta De Rossi
giornalista TV

Alessandra Bonarota
Claudia

Ilaria Cecchi
Valentina

Delia D'Alberti
Proprietaria della pensione

Daniela Merlo
madre

Eleonora Cecere
(uncredited)

Franco Ferrini
Director / Writer

Franco Corridoni
Makeup Artist

Cosimo Romano
Makeup Artist

Claudio Bonivento
Producer

Franco Fraticelli
Editor

Umberto Smaila
Music

Alberta Giuliani
Hair Setup

Enrica Biscossi
Costume Design

Gianni Zampagni
Sound

Desideria Corridoni
Hair Setup

Mauro Passi
Set Decoration

Celeste Battistelli
Special Effects

Andrea Giuseppini
Writer

Giuseppe Bernardini
Director of Photography

Gino Santarelli
Line Producer

Pietro Bertone

Luciana Cirenei

Alessandro Cavalieri

Ciro Scalera

Maria Cristina Gentile

Marcella Tersigni

Luigi Tondinelli
Media.


Details.
Release DateApril 24, 1987
Original NameCaramelle da uno sconosciuto
StatusReleased
Running Time1h 31m
Genres
Last updated:
This Movie Is About.
Wiki.
Sweets from a Stranger (Italian: Caramelle da uno sconosciuto) is a 1987 Italian thriller film directed and co-written by Franco Ferrini. The film is about a serial killer targeting sex workers. The women decided to band together to protect themselves, but their efforts are only partially successful as the killer continues their killing spree. As the police investigate, the sex workers group together to try and find some leads on their own.
Ferrini got the idea for the film while writing the film Red Rings of Fear (1978). It was produced with a budget of 2 billion Italian lire. Retrospective reviewers commented on if the film should be considered a proper giallo, noting its subdued nature and attempts at Social realism, while noting its reveal of the killer and violent scenes relate it to the other gialli.
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