Raised by a Swiss mother and an Egyptian father, both Christians, the filmmaker Christophe Magdy Saber learned to grow up feeling different in an eminently Muslim country. There, the religious activities of his parents always found a stumbling block, but never someone in the family imagined that the life of any of them could at a moment be in danger for it. Portrayed through the filmmaker's small handheld camera, the Egypt after the Mubarak regime appears as an anarchic place, where anything can happen at any time. This is the feeling emanating from the filmmaker's imperfect images when he returns from Switzerland, where he studies filmmaking, to visit his parents, who face a death threat for allegedly having converted an Egyptian man to Christianity.