The view of a lighthouse at dawn, subjected to a millimetric shift that is even less perceptible as movements of the text in the image are added to it. The specificity of these movements on the image comes from the way they penetrate into the image, creating a strange enlarged presence of the bodies, images, signs that brings about the dematerialization of the identity of each. Entering the Real means losing the world of objects and subjects, the world of opposition between reality and illusion in favor of a world where the most tangible effects of existence are constructed from traces and ghosts. (Jehanne Dautrey)

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