Dark Streets (2008)
1h 23m
Running Time
December 12, 2008Release Date
Plot.
Chaz Davenport is a dashing bachelor who owns what promises to become the hottest new nightclub in town--if only the lights would stay on. Surrounded by the sumptuous blues music he adores, and with his pick of the gorgeous women who perform their sensual dance numbers onstage every night, Chaz is the envy of every man.
Where to Watch.










Currently Dark Streets is available for streaming online, rent, buy or watch for free on: Amazon Video, Tubi TV, Hoopla, Plex, Amazon Prime Video, Amazon Prime Video with Ads, The Roku Channel, Pluto TV, Freevee, Plex Channel
Streaming in:🇺🇸 United States
Cast & Crew.

Gabriel Mann
Chaz

Bijou Phillips
Crystal

Noel Arthur
Technician

Izabella Miko
Madelaine

Sybil Azur
Lilly

Elias Koteas
Lieutenant

Jarreth J. Merz
Pale Man

Pat Crawford Brown
Delores

Michael Fairman
Nathaniel

Toledo Diamond
Prince

Samuel Bliss Cooper
Delivery Man

Jordi Caballero
Slim

Tracy Phillips
Rose

Mike Muscat
Guard

Kimberly Sanders
Ballroom Dancer

Palmer Davis
Darlene

Keith Glover
Plant Guard

Rachel Samuels
Director

Wallace King
Screenplay

Glenn M. Stewart
Producer

Mark Bedell
Stunts

Anne Goursaud
Editor

Claus Clausen
Producer

George Acogny
Composer
Media.






Details.
Release DateDecember 12, 2008
StatusReleased
Running Time1h 23m
Content RatingR
Genres
Last updated:
This Movie Is About.
based on play or musical
neo-noir
Wiki.
Dark Streets is a 2008 film adaptation of the play by Glenn M. Stewart, directed by Rachel Samuels from a screenplay by Wallace King. The film stars Gabriel Mann, Bijou Phillips, Izabella Miko, Elias Koteas, Michael Fairman and Toledo Diamond. The film's blues score is composed by George Acogny, featuring B.B. King. It premiered at the 2008 CineVegas Film Festival on June 14, winning a Special Jury Prize for "the collaborative craftsmanship in achieving its visual splendor and showmanship" and was given a limited release on December 12. Dark Streets received negative reviews from critics, praising the 1930s aesthetic and musical numbers, but criticized the use of film noir elements propping up an unengaging story.
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