Three Faces West (1940)
Three Faces West (1940)
Plot.
Where to Watch.
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Cast & Crew.
John Wayne
John Phillips
Sigrid Gurie
Leni 'Lenchen' Braun
Charles Coburn
Dr. Karl Braun
Spencer Charters
Dr. 'Nunk' Atterbury
Helen MacKellar
Mrs. Welles
Roland Varno
Dr. Eric Von Scherer
Sonny Bupp
Billy Welles
Wade Boteler
Mr. Harris - Department of Agriculture Official
Trevor Bardette
Clem Higgins
Russell Simpson
Minister
Charles Waldron
Dr. William Thorpe
Bernard Vorhaus
Director
Wendell Niles
Man-on-the-Street Radio Announcer
F. Hugh Herbert
Writer
Frank Brownlee
Bill--Farmer
Bob Burns
Farmer
Joseph Moncure March
Writer
Samuel Ornitz
Writer
Horace B. Carpenter
White-Haired Farmer in Oregon
Hugh Chapman
Boy
Victor Young
Composer
John Alton
Cinematographer
Jim Corey
Churchgoer
William Morgan
Editor
Calvin Ellison
Boy
Douglas Evans
'We the People' Radio MC
Mary Field
Mrs. Stebbins
Francis Ford
Farmer Bill, with Higgins
Byron Foulger
Joe Stebbins
Stuart Holmes
Extra Farmer at Meeting
Si Jenks
Train Conductor
Darwood Kaye
Boy Patient Sitting in Chair
Gretchen Kisker
Girl
Lola Milliorn
Girl
Arthur Millett
Farmer
Jack Montgomery
Joe--Farmer
Bill Nestell
Farmer
Manuel ParÃs
Refugee Doctor
Hank Patterson
Pool Player
Rose Plumer
White Haired Farmer's Wife
Media.
Details.
Release DateJuly 3, 1940
StatusReleased
Running Time1h 19m
Content RatingNR
Genres
Last updated:
This Movie Is About.
Wiki.
Three Faces West is a 1940 American drama film directed by Bernard Vorhaus and starring John Wayne, Sigrid Gurie and Charles Coburn.The film, mainly set in North Dakota was one of a handful of overtly anti-Nazi films produced by Hollywood before American entry into World War II. Isolationists and Nazi sympathizers condemned other Hollywood movies for being pro-British "propaganda" or for "glorifying war", however Three Faces West was deliberately crafted to celebrate the pioneer spirit of America, and the determination of Americans to survive the dust bowl, and contrasted these values with the evils of Nazism, thus preventing isolationists and Nazi sympathizers from being able to criticize the film as they had criticized other anti-Nazi films during this period.Writing in the Journal of Austrian-American History, Jacqueline Vansant has argued that the film "takes a bold stand on contemporary issues through its Austrian-American romance."