Baghi Sipahi (Hindi for "Rebel Soldier") is a 1958 Indian Hindi-language film directed by Bhagwan Das Varma and starring Madhubala, Chandrashekhar and Ranjan. It is loosely based on the novel Quo Vadis (Latin for "Where are you going?") by Nobel Laureate Henryk Sienkiewicz, which has been adapted for the screen several times, including a 1951 American version that was nominated for several Academy Awards. Baghi Sipahi was distributed and produced by V.P. Productions, an affiliate of Varma Films.

Baghi Sipahi’s narrative centers around the Roman Empire’s clash with Christianity and the harassment of Christians in its empire. Prominent among the persecuted Christians was the character played by Baghi Sipahi’s lead actress Madhubala, who in the early 1950s had been called “the biggest star in the world” by David Cort of Theatre Arts Magazine. Baghi Sipahi was the third collaboration between its filmmakers and Madhubala. Previously Madhubala and the filmmakers had collaborated in Neki Aur Badi (1949), for which Varma Films was the distributor, and Badal (1951), for which Varma Films was both the producer and the distributor. Baghi Sipahi was, however, the first time that Bhagwan Das Varma, one of the founders of Varma Films, had directed Madhubala.

Baghi Sipahi’s distinctiveness arises from its creative fusion of East and West in cinema. The film transplants the epic struggle between the Roman Empire and early Christianity onto Indian soil, reimagining it through the prism of Bollywood conventions. The filmmakers vision comes to life not just through its narrative of love and rebellion, but also through its musical soul, composed by the legendary Shankar-Jaikishan. Their soundtrack transforms the ancient Roman setting into a uniquely Indian experience, demonstrating how music can transcend cultural and historical boundaries. By marrying a classic tale of persecution and faith with the melodic traditions of Indian cinema, Baghi Sipahi creates a cinematic tapestry that is both familiar and at the same time refreshingly novel.

While Baghi Sipahi has joined the category of lost films with no known surviving copies, its songs—vital to an Indian film's commercial appeal—continue to exist in audio form. Also, some film stills of Baghi Sipahi survive and are available from the external links below. Finally, still surviving are visual video clips of two of the film’s songs.