Motherhood (2022)
1h 56m
Running Time
November 23, 2022Release Date
Motherhood (2022)
1h 56m
Running Time
November 23, 2022Release Date
Network & Production Companies





Plot.
Sayaka, a high school student, kills herself but the reason behind her suicide is unknown. She appeared to have led a normal life with her family. Her mother Rumiko seemed to have raised Sayaka with love and care. In reality, that does not seem to be the case. When the mother and daughter recall the same incidents that took place in the past, they tell very different stories.
Where to Watch.
No streaming offers found
Cast & Crew.

Erika Toda
Mother

Mei Nagano
Daughter

Mao Daichi
Tsuyuki Hanae

Masaki Miura
Tadokoro Satoshi

Yuri Nakamura
Sasaki Hitomi

Rio Yamashita
Tadokoro Ritsuko

Atsuko Takahata
[Rumiko's mother-in-law]

Yasushi Fuchikami
[Sayaka's colleague]

Miyuko Ochii
Tadokoro Sayaka [Childhood]

Honami Sato
[Sayaka's colleague]

Nao Takahashi
Nakatani Toru

Man Kato
[Rumiko's father-in-law]

Motoki Fukami
Kuroiwa Katsutoshi

Mitsuru Fukikoshi
[Priest]

Kanae Minato
Novel

Ryuichi Hiroki
Director

Atsuhiro Nabeshima
Cinematographer

JUJU
Theme Song Performance

Yasushi Minatoya
Producer

Anne Horiizumi
Screenplay

Tatsuhiko Taniguchi
Producer

Shunsuke Koga
Producer

Tamotsu Kanamori
Line Producer

Tomoyuki Maruo
Art Direction
Media.


Details.
Release DateNovember 23, 2022
Original Name母性
StatusReleased
Running Time1h 56m
Genres
Last updated:
This Movie Is About.
incident
high school girl
mother and daughter
maternal love
secrets
discrepancy
based on novel or book
Wiki.
Motherhood is a 2022 Japanese psychological thriller drama film directed by Ryūichi Hiroki. The film stars Erika Toda and Mei Nagano in the main lead roles. The storyline of the film is an adaptation from Japanese crime fiction writer Kanae Minato's bestseller novel Bosei (母性). The film depicts about the paramount importance on the main theme of the plot revolving around motherhood by delving into the stories of three generations of women in Japan with an influence of Confucianism. The film opened to positive reviews from critics, with the Atsuhiro Nabeshima’s cinematography being praised for the portrayal of picturesque set design and coloring throughout the film.
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