Things (and their treatment) are shown repeatedly - a loaf of bread, a sausage, an egg cracked open on the rim of a cup: everyday actions with irreversible, one might say vitally destructive consequences. In the second part, the actions are directed at people, and the anxiety changes because the situations are created deliberately and uncritically. Part three, which could be read as a sober protocol of a relationship, loses the proximity to actionism and performance. Images of a man and a woman alternate with images of windows, mirrors, sofas, and the interior.

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