Madam Satan (1930)
1h 56m
Running Time
September 20, 1930Release Date
Madam Satan (1930)
1h 56m
Running Time
September 20, 1930Release Date
Network & Production Companies
Plot.
A socialite masquerades as a notorious femme fatale to win back her straying husband during a costume party aboard a doomed dirigible.
Where to Watch.
Rent
Rent
Rent
Rent
RentCurrently Madam Satan is available for streaming online, rent, buy or watch for free on: Apple TV, Google Play Movies, YouTube, Fandango At Home, Amazon Video
Streaming in:🇺🇸 United States
Cast & Crew.
Kay Johnson
Angela Brooks
Reginald Denny
Bob Brooks
Lillian Roth
Trixie
Roland Young
Jimmy Wade
Elsa Peterson
Martha
Jack King
Herman / Songs
Eddie Prinz
Biff
Boyd Irwin
Captain
Wallace MacDonald
First Mate
Tyler Brooke
Romeo
Ynez Seabury
Babo
Theodore Kosloff
Electricity
Julanne Johnston
Miss Conning Tower
Martha Sleeper
Fish Girl
Doris McMahon
Water
Vera Marshe
Call of the Wild
Albert Conti
Empire Officer
Abe Lyman
Band Leader
Mary Carlisle
Little Bo Peep (uncredited)
Cecil B. DeMille
Radio Newscaster (voice) (uncredited) / Director / Producer
Katherine DeMille
Zeppelin Reveler (uncredited)
June Knight
Zeppelin Reveler (uncredited)
Allan Lane
Zeppelin Majordomo (uncredited)
Nora Lane
Zeppelin Reveler (uncredited)
Media.
Details.
Release DateSeptember 20, 1930
StatusReleased
Running Time1h 56m
Content RatingNR
Genres
Last updated:
This Movie Is About.
lightning
infidelity
masked ball
married couple
zeppelin
parachute
marriage crisis
disaster
pre-code
jumping from height
catastrophe
masquerade
other woman
unfaithful husband
electrical storm
concealed identity
sexual freedom
art of seduction
screwball comedy
musical comedy
Wiki.
Madam Satan or Madame Satan is a 1930 American pre-Code musical comedy film in black and white with Multicolor sequences. It was produced and directed by Cecil B. DeMille and starred Kay Johnson, Reginald Denny, Lillian Roth, and Roland Young.
Madam Satan has been called one of the oddest films DeMille made and certainly one of the oddest MGM made during Hollywood's "golden age". Thematically, this marked an attempt by DeMille to return to the boudoir comedies genre that had brought him financial success about 10 years earlier.
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