The Seventh Victim (1943)

1h 11m
Running Time

August 21, 1943
Release Date

The Seventh Victim (1943)

1h 11m
Running Time

August 21, 1943
Release Date

External Links & Social Media
Network & Production Companies
RKO Radio Pictures
Watch The Seventh Victim Trailer

Plot.

A woman in search of her missing sister uncovers a Satanic cult in New York's Greenwich Village and finds that they could have something to do with her sibling's random disappearance.

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Streaming in:
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Cast & Crew.

Details.

Release Date
August 21, 1943

Status
Released

Running Time
1h 11m

Content Rating
NR

Budget
$100,000

Filming Locations
Los Angeles, United States

Genres

Last updated:

This Movie Is About.

new york
paranoia
satanism
murder
betrayal
punishment
noose
missing person
satanic cult
greenwich village
noir
devil worship

Wiki.

The Seventh Victim is a 1943 American horror film directed by Mark Robson and starring Tom Conway, Jean Brooks, Isabel Jewell, and Kim Hunter. Written by Charles O'Neal and DeWitt Bodeen, and produced by Val Lewton for RKO Radio Pictures, the film focuses on a young woman who stumbles on an underground cult of devil worshippers in Greenwich Village, New York City, while searching for her missing sister. It marks Robson's directorial debut, and was Hunter's first onscreen role.

O'Neal had written the script as a murder mystery, set in California, that followed a woman hunted by a serial killer. Bodeen revised the script, basing the story on a Satanic society meeting he attended in New York City and setting it as a prequel to Cat People (1942), with Conway reprising his role as Dr. Louis Judd. Filming took place over 24 days in May 1943 at RKO Studios in Los Angeles.

Released on August 21, 1943, the film failed to garner significant income at the box office and received mixed reviews from critics, who found its narrative incoherence a primary fault. It was later revealed that Robson and editor John Lockert had removed four substantial scenes from the final cut, including an extended conclusion. In spite of its mixed reception, it became a cult film in England, noted by critics for its homoerotic undertones.

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