Cries and Whispers (1972)

1
/ 10
1 User Ratings
1h 35m
Running Time

December 21, 1972
Release Date

Cries and Whispers (1972)

1
/ 10
1 User Ratings
1h 35m
Running Time

December 21, 1972
Release Date

External Links & Social Media
Network & Production Companies
Svenska Filminstitutet

Details.

Release Date
December 21, 1972

Original Name
Viskningar och rop

Status
Released

Running Time
1h 35m

Content Rating
R

Budget
$400,000

Genres

Last updated:

This Movie Is About.

sibling relationship
sweden
dying and death
sister
cancer
mansion
19th century

Wiki.

Cries and Whispers (Swedish: Viskningar och rop, lit. 'Whispers and Cries') is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters (Ullmann and Thulin) confront their emotional distance from each other.

Inspired by Bergman's mother, Karin Åkerblom, and his vision of four women in a red room, Cries and Whispers was filmed at Taxinge-Näsby Castle in 1971. Its themes include faith, the female psyche and the search for meaning in suffering, and academics have found Biblical allusions. Unlike previous Bergman films, it uses saturated colour, crimson in particular.

After its premiere in the United States, distributed by Roger Corman and New World Pictures, the film was released in Sweden and screened out of competition at the 1973 Cannes Film Festival. Following two unsuccessful films by Bergman, Cries and Whispers was a critical and commercial success. It received five Academy Award nominations, including one for Best Picture (rare for a foreign-language film). Cinematographer Sven Nykvist won the Academy Award for Best Cinematography, and Cries and Whispers won the Guldbagge Award for Best Film and other honours.

The film inspired stage adaptations by Ivo van Hove and Andrei Șerban and influenced later cinema. It was commemorated on Swedish postage stamps referring to a scene in which Andersson and Sylwan replicate the Pietà.

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