Sky Captain and the World of Tomorrow (2004)
Sky Captain and the World of Tomorrow (2004)
Plot.
Where to Watch.
Currently Sky Captain and the World of Tomorrow is available for streaming online, rent, buy or watch for free on: Apple TV, Amazon Video, Microsoft Store, Google Play Movies, YouTube, Netflix, Netflix basic with Ads, Fandango At Home, Pluto TV, Hoopla
Streaming in:πΊπΈ United States
Cast & Crew.
Jude Law
Sky Captain / Producer
Gwyneth Paltrow
Polly Perkins
Angelina Jolie
Franky
Giovanni Ribisi
Dex
Michael Gambon
Paley
Bai Ling
Mysterious Woman
Omid Djalili
Kaji
Laurence Olivier
Dr. Totenkopf (archive footage)
Trevor Baxter
Dr Walter Jennings
Julian Curry
Dr. Vargas
Peter Law
Dr. Kessler
Jon Rumney
German Scientist
Khan Bonfils
Creepy
Samta Gyatso
Scary
Louis Hilyer
Executive Officer
Mark Wells
Communication Engineer
James Cash
Uniformed Officer
Tenzin Bhagen
Kalacakra Priest
Thupten Tsondru
Dying Old Man
Matthew Grant
Crewman #1
Steve Morphew
Crewman #2
Nancy Crane
Receptionist
Stuart Milligan
Police Sergeant
Paul Canter
Police Officer
Demetri Goritsas
Radio Operator
William Hope
American Broadcaster
Jonathan Keeble
British Broadcaster
Stephane Cornicard
French Broadcaster
Stephen Ballantyne
German Broadcaster
Victor Sobchak
Russian Broadcaster
Mido Hamada
Soldier
Gerard Monaco
Technician
Chris Robson
Hindenburg Porter
Matthew Coulter
Hindenburg Boy
Merritt Yohnka
Construction Worker
Charlotte Kyle
Hindenberg Passenger (uncredited)
James Bannon
Voice Actor (uncredited)
Karl Champley
Pilot (uncredited)
David Decio
Pilot (uncredited)
Matthew Feitshans
Officer (uncredited) / Production Supervisor
Sky Soleil
Officer (uncredited)
Chuen Tsou
Buddhist Monk (uncredited)
Jon Avnet
Producer / Presenter
Bill Haber
Executive Producer
Kerry Conran
Director / Writer
Kevin Conran
Costume Design / Production Design
Sadie Frost
Producer
Edward Shearmur
Original Music Composer
Marsha Oglesby
Producer
Sheila Trezise
Casting
Aurelio De Laurentiis
Executive Producer
Raffaella De Laurentiis
Executive Producer
Eric Adkins
Director of Photography
Kirsten Conran
Art Direction
Sabrina Plisco
Editor
Stella McCartney
Costume Design
Tim Coulter
Visual Effects Editor / Associate Editor
Miae Kim
Color Designer
Justin Hammond
Lighting Technician
Colin Sittig
Compositors
Rachel Wyn Dunn
Compositors
Brett Paton
Animation
John Dillon
Compositors
Merrick Rustia
Animation
Brooke Breton
Co-Producer
Hester Hargett
Co-Producer
Robert Gordon
Associate Producer
Mark Henson
Stunt Coordinator
David Wainstain
Sequence Supervisor
Jeff Goldman
Digital Effects Supervisor
Elton Farla
Set Medic
Mark Barrs
First Assistant Camera
Keith Hamshere
Still Photographer
Betty Glasow
Hairstylist
Jonathan Downing
Standby Painter
Tony Rowland
Grip
Tom Chichester-Clark
Additional Music
Colette Appleby
Stand In
Steven Hall
Camera Operator
James Rothrock
Software Engineer
Paul Sadeghi
Editorial Coordinator
Thom Schillinger
Conceptual Design
Judy Bradbury
Set Designer
Eloisa De Laurentiis
Makeup Artist
Gary Pollard
Makeup Effects
Devin Bunje
Systems Administrators & Support
Marcia Gay
Assistant Director / Production Manager
Carrie Wilksen
Art Department Coordinator
Shadi Almassizadeh
CG Supervisor
Dylan Jones
Loader
Sophia M. Crawford
Utility Stunts
Tom Barrett
Visual Effects Editor
Kay Georgiou
Key Hair Stylist
Clark Henderson
Post Production Supervisor
Richard O. Helmer
Special Effects Coordinator
Jason Beale
Post Production Assistant
Tony Rush
Video Assist Operator
Sally Jones
Script Supervisor
Pie Lombardi
Assistant Costume Designer
Darren Thackeray
Driver
Steven Swanson
Lighting Supervisor
Todd Toon
Supervising Sound Editor / Sound Designer
Lindsay Adams
Digital Compositors
Erik Jessen
First Assistant Editor
Sean Haeseler
Gaffer
Melissa Brockman
Visual Effects Producer
Aaron Sims
Visual Effects Art Director
Margaux Mackay
Supervising Producer
Christopher Almerico
Visual Effects Coordinator
Mark A. Tracy
First Assistant Sound Editor
Mauricio Baiocchi
Animation Supervisor
Bonnie Lemon
Digital Producer
Anthony Fung
Lighting Artist
Brandon Evans
Rigging Gaffer
Trevor Wood
Special Effects Supervisor
David Crozier
Sound Mixer
Tim Alexander
Visual Effects Supervisor
Simon Eves
Researcher
Robert Elhai
Orchestrator
Melissa Almeida
3D Supervisor
Omar McClinton
Production Coordinator
Adam Kopald
Sound Effects Editor
Alec Bartsch
Supervising Technical Director
John Casali
Boom Operator
Michael K. Bauer
Music Editor
Christopher Hobbs
Visual Effects
Janet Farris
Casting Associate
Brian Miller
I/O Supervisor
Marc Sadeghi
Executive Visual Effects Producer
Valance Eisleben
Editorial Services
Laurence Harvey
Armorer
James Mann
Rigging Grip
Christopher Boyes
Additional Sound Re-Recording Mixer
Terry Porter
Sound Re-Recording Mixer
John Kwiatkowski
Dialogue Editor
Gary Summers
Additional Sound Re-Recording Mixer
Devon Heffley Curry
ADR Supervisor
David E. Harshbarger
Property Master
Lyoung Hui Kim
CG Artist
Jesse D'Angelo
Storyboard Artist
Bill Murphy
Visual Effects Production Manager
Amy Pawlowski
Digital Intermediate Editor
Caroline Richards
Assistant Production Coordinator
Kevin O'Neill
2D Supervisor
Steven J. Scott
Digital Intermediate Colorist
Olivier Beaulieu
Production Assistant
Ben Howard
Second Assistant Director
Kate Reid
Camera Trainee
John Velazquez
Senior Animator
James Dornoff
Visual Effects Production Assistant
Chris Burgess
Third Assistant Director
Jarik Van Sluijs
Creative Director
Susan A. Campbell
Digital Imaging Technician
Richard Pagano
Casting Consultant
Steve Bowen
Digital Color Timer
Michael Kennedy
Digital Intermediate Producer
Richard Gervan
Rotoscoping Artist
Robin Harlan
Foley Artist
Valerie Davidson
Foley Supervisor
Radost Yonkova Ridlen
Visual Effects Compositor
H Haden Hammond
Lead Animator
Rebecca Gore
Wardrobe Assistant
Doc Kane
ADR Mixer
Nicola 'Nikki' Berwick
Stunt Double
John M. Barbour
Assistant Camera
Dana B. Wilson
Assistant Editor
Donnie Creighton
Digital Intermediate Assistant
Tim Dobbert
Matchmove Supervisor
Christopher Brennan
Special Effects Technician
Chad Danieley
Title Designer
Alexander Beddow
ADR Recordist
Randy Singer
Foley Mixer
Scott E. Anderson
Senior Visual Effects Supervisor
Georgina Napier
Costume Assistant
Jenny Hawkins
Dresser
Jacqueline Rosado
Coordinating Producer
Dylan Cole
Matte Painter
Craig Campobasso
Additional Casting
Steven Kirkby
Wardrobe Master
Anne Brault
Wardrobe Supervisor
Sarah Ogletree
Post Production Coordinator
Catherine Charlton
Dialogue Coach
Jennifer Alessi
Extras Casting
Carole Cowley
Head of Production
Media.
Details.
Release DateSeptember 17, 2004
StatusReleased
Running Time1h 47m
Content RatingPG
Budget$70,000,000
Box Office$57,958,696
Genres
Last updated:
This Movie Is About.
Wiki.
Sky Captain and the World of Tomorrow, often shortened to Sky Captain, is a 2004 science fiction action-adventure film written and directed by Kerry Conran in his directorial debut, and produced by Jon Avnet, Sadie Frost, Jude Law and Marsha Oglesby. It stars Jude Law, Gwyneth Paltrow, and Angelina Jolie. It is an example of "Ottensian" (pre-WWII) dieselpunk.
Conran spent four years making a black and white teaser using a bluescreen set up in his living room and a Macintosh IIci. He was able to show it to Avnet, who was so impressed that Avnet spent two years working with him on his screenplay. No major studio was interested, but Avnet convinced Aurelio De Laurentiis to finance Sky Captain without a distribution deal (a worldwide distribution deal would later happen with Paramount Pictures).
Almost 100 digital artists, modelers, animators, and compositors created the multi-layered 2D and 3D backgrounds for the live-action footage, while the entire film was sketched out via hand-drawn storyboards and then recreated as CGI animatics. Ten months prior to shooting the live-action scenes, Conran first shot them with stand-ins in Los Angeles, then converted that footage to animatics so the actors could accurately envision the film.
Sky Captain received positive reviews, particularly for the style of filming that was used; some criticism was directed at the plot and characterization. Despite being a box office flop, generating only $58 million on a $70 million budget, the film has since gained a following and is regarded as a cult classic. It was one of the first major films, along with Casshern, Immortal (both 2004) and Sin City (2005), to be shot entirely on a "digital backlot", blending actors with CG surroundings.