Structural film conceived as an architectural construction where compositional rigor slows down and incorporates a Dionysian feeling of existence, wants to represent through almost physical blocks of frames a feeling of horror for the violence that pervades the contemporary world: lifeless bodies abandoned in cars lost in the bush, the advance of a marching army, a face that deforms into an expressionist scream, other faces, alternation of positive and negative frames: visual leitmotifs that recur obsessively.

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