Having created a set of works on analogue video between 1976 and 1980 we (Vida) decided to go to America to drive across the dream of America in search of the source of intuition. The US had provided not only Americans but people around the world - such as we three British people - with a promise of improvement, not only of our circumstance, but of ourselves. As a sometimes musician, poet, writer and painter I’d become familiar with the use of improvisation to create various artefacts and moments and recognised that element when constructing moving images on a timeline into an act of durational statement.

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