Maureen Judge

Maureen Judge is a Canadian Screen Awards (CSA) winning filmmaker and television producer. Much of her work is documentary and explores themes of love, betrayal and acceptance in the context of the modern family, with the most recent films focusing on the dreams and challenges of contemporary youth. Judge was born in Montreal, Quebec and is one of eight children. As a child, she lived in Montreal, Quebec; Kingston, Ontario; and Chicago, Illinois, before moving to Toronto, Ontario in 1967.

She received a Bachelor of Arts degree from The University of Toronto in science and philosophy. In 1982 she earned a Master of Arts degree in cinema studies from New York University. Judge lives in Toronto with her husband and has two grown children.

Judge has directed and produced a number of documentary films, television series and a few dramatic shorts. Among her best known films are My Millennial Life, winner of the Academy of Canadian Cinema and Television’s CSA Award for Best Documentary Program (2017) and Unveiled: The Mother Daughter Relationship, winner of the Academy of Canadian Cinema and Television's Genie Award for Best Short Documentary (1997).

She began television series producing in 2002 when she created and produced the 13-episode series, Family Secrets and the Canadian poetry series Heart of a Poet in 2006.

In 2008 Judge produced the documentary film FLicKeR winner of the Hot Docs Special Jury Prize for a Canadian Feature Length Documentary and Best Film on International Art at the 2009 Era New Horizons Film Festival in Poland, FLicKeR was also nominated for a 2009 Gemini Award. Her following film Mom's Home (2010) was nominated for the Donald Brittain Award for Best Social-Political Documentary at the Gemini Awards.

Her films include award-winning documentaries: And We Knew How To Dance: Women and World War I, produced by the National Film Board of Canada, In My Parents' Basement and Living Dolls (2015).

Judge was a founding member of CineAction Magazine in 1986, contributing an article on the film Death Watch to its first issue, and has taught film studies and production at York University, Humber College and Sheridan College in Toronto.