Gregg Toland

Gregg Toland

Known for: Camera
Biography: 1904-05-29
Deathday: 1948-09-26 (44 years old)

Biography

From Wikipedia


Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane.


Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler.


Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.

Filmography

all 64

Movies 64

Director 34

self 1

Cinematographer
Enchantment

Enchantment (1948)

Movie
6.18
Director of Photography
A Song Is Born

A Song Is Born (1948)

Movie
Director of Photography
The Bishop's Wife

The Bishop's Wife (1947)

Movie
6
Cinematographer
The Best Years of Our Lives

The Best Years of Our Lives (1946)

Movie
4
Director of Photography
Song of the South

Song of the South (1946)

Movie
6
Second Unit Director of Photography
Notorious

Notorious (1946)

Movie
2.25
Director of Photography
The Kid from Brooklyn

The Kid from Brooklyn (1946)

Movie
Cinematographer
The Fighting Generation

The Fighting Generation (1944)

Movie
Self
Show-Business at War

Show-Business at War (1943)

Movie
Director
December 7th

December 7th (1943)

Movie
Cinematographer
The Outlaw

The Outlaw (1943)

Movie
Director of Photography
Ball of Fire

Ball of Fire (1941)

Movie
6.83
Director of Photography
The Little Foxes

The Little Foxes (1941)

Movie
4.6
Interviewer / Director of Photography
Citizen Kane

Citizen Kane (1941)

Movie
5.8
Cinematographer
The Long Voyage Home

The Long Voyage Home (1940)

Movie
Director of Photography
The Westerner

The Westerner (1940)

Movie
Director of Photography
The Grapes of Wrath

The Grapes of Wrath (1940)

Movie
5.42
Director of Photography
Raffles

Raffles (1939)

Movie
Cinematographer
Intermezzo: A Love Story

Intermezzo: A Love Story (1939)

Movie
Cinematographer
They Shall Have Music

They Shall Have Music (1939)

Movie
Director of Photography
Wuthering Heights

Wuthering Heights (1939)

Movie
6
Director of Photography
The Cowboy and the Lady

The Cowboy and the Lady (1938)

Movie
Director of Photography
The Goldwyn Follies

The Goldwyn Follies (1938)

Movie
Cinematographer
Dead End

Dead End (1937)

Movie
Director of Photography
Woman Chases Man

Woman Chases Man (1937)

Movie
Director of Photography
History is Made at Night

History is Made at Night (1937)

Movie
Cinematographer
Beloved Enemy

Beloved Enemy (1936)

Movie
Director of Photography
Come and Get It

Come and Get It (1936)

Movie
Director of Photography
The Road to Glory

The Road to Glory (1936)

Movie
Cinematographer
These Three

These Three (1936)

Movie
Cinematographer
Splendor

Splendor (1935)

Movie
Director of Photography
The Dark Angel

The Dark Angel (1935)

Movie
Director of Photography
Mad Love

Mad Love (1935)

Movie
5
Cinematographer
Public Hero Number 1

Public Hero Number 1 (1935)

Movie
Cinematographer
Les Misérables

Les Misérables (1935)

Movie
Cinematographer
The Wedding Night

The Wedding Night (1935)

Movie
Director of Photography
Forsaking All Others

Forsaking All Others (1934)

Movie
Director of Photography
We Live Again

We Live Again (1934)

Movie
Cinematographer
Lazy River

Lazy River (1934)

Movie
Director of Photography
Nana

Nana (1934)

Movie
Director of Photography
Roman Scandals

Roman Scandals (1933)

Movie
Director of Photography
The Masquerader

The Masquerader (1933)

Movie
Cinematographer
Tugboat Annie

Tugboat Annie (1933)

Movie
Cinematographer
The Nuisance

The Nuisance (1933)

Movie
Cinematographer
The Kid from Spain

The Kid from Spain (1932)

Movie
Director of Photography
The Washington Masquerade

The Washington Masquerade (1932)

Movie
Director of Photography
The Tenderfoot

The Tenderfoot (1932)

Movie
Cinematographer
Man Wanted

Man Wanted (1932)

Movie
Cinematographer
Play Girl

Play Girl (1932)

Movie
Director of Photography
Palmy Days

Palmy Days (1931)

Movie
Cinematographer
Indiscreet

Indiscreet (1931)

Movie
Director of Photography
Tonight or Never

Tonight or Never (1931)

Movie
Cinematographer
One Heavenly Night

One Heavenly Night (1930)

Movie
Cinematographer
The Devil to Pay!

The Devil to Pay! (1930)

Movie
Director of Photography
Whoopee!

Whoopee! (1930)

Movie
7.33
Director of Photography
Raffles

Raffles (1930)

Movie
Cinematographer
The Trespasser

The Trespasser (1929)

Movie
Cinematographer
Condemned

Condemned (1929)

Movie
Director of Photography
This Is Heaven

This Is Heaven (1929)

Movie
Cinematographer
Bulldog Drummond

Bulldog Drummond (1929)

Movie
Cinematographer
The Life and Death of 9413, a Hollywood Extra

The Life and Death of 9413, a Hollywood Extra (1928)

Movie
Cinematographer
The Love of Zero

The Love of Zero (1928)

Movie
Director of Photography
The Winning of Barbara Worth

The Winning of Barbara Worth (1926)

Movie
Assistant Camera
The Bat

The Bat (1926)

Movie
5

Ratings

Average 6.42
Based on 916 Thousand movie and tv ratings over time
1926
1932
1935
1933
1948

Information

Known For
Camera

Gender
Male

Birthday
1904-05-29

Deathday
1948-09-26 (44 years old)

Birth Place
Charleston, United States of America

Citizenships
United States of America

Awards
Academy Award for Best Cinematography, Black-and-White


This article uses material from Wikipedia.
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