Richard Kuranda

Richard Kuranda is an American director and artist of stage, cinema and television. He currently is the CEO of the Raue Center for the Arts in Crystal Lake, Illinois and the current Artistic Director of Williams Street Repertory. A widower, he resides in Illinois with his four children.

In 2018, Raue Center and Williams Street Rep retired an US$8,800,000 debt under his leadership. While Kuranda served as CEO at Raue, the board negotiated a subsidized lease at $100 per year with a 25-year corporate sponsorship from Home State Bank. This complimented an expansion of the Center's physical plant to include a new school and outdoor theater space.

In 2005, The New York Times profiled Kuranda's artistic and producing work at the Eugene O'Neill Memorial Theater Center (at the time he was the youngest producing director of a Tony Award-winning theater and had just "turned around" the O'Neill by restoring its national programs). Kuranda produced all of the programs in a short-lived consolidation of all national programs; halfway thru his tenure at the O'Neill he reversed the Board's consolidation of programs which lead to a rebirth of the O'Neill. Kuranda has had working relations with former Senators Bob Kerrey and Christopher J. Dodd, among others. Born in 1969 in northeastern Pennsylvania, Kuranda was educated at the Jesuit Scranton Preparatory School, then attended West Virginia University on scholarship before enrolling in the Actors Studio program at the New School University. He studied under Romulus Linney and Arthur Penn, earning two Masters degrees. During his studiies, he also received mentoship from Norman Mailer.

Kuranda's first professional film work was as a teenager, discovered by Pulitzer Prize-winning playwright Jason Miller. Kuranda worked for several years as a youth in the Scranton Theater. His first professional theatrical work was at the New Jersey Shakespeare Festival. His film work includes a series of films with Bill Plympton, which are part of the MOMA permanent collection. Kuranda's collaboration with Plympton helped launch the budding New York Underground Film and Video Festival, helmed by Todd Phillips and Andrew Gurland. Kuranda's early work at the Actors Studio included, amongst others, a six-month exploration of Oedipus Rex with Al Pacino, Christopher Walken and Estelle Parsons. Lloyd Richards, Romulus Linney, Jack Temchin, and Richard Kuranda were chronicled by the Village Voice as defining the Actors Studio Drama School at the New School for Social Research during their tenure of productions at Circle in the Square Theater Downtown at 159 Bleecker Street. Kuranda led the team at Epic Rep during a period of literary adaptations, which included (amongst others): commissioning Romulus Linney to adapt Tim O'Brien's National Book winner Going After Cacciatio.

He is the former producing director of the Eugene O'Neill Theater Center. He also served as the Center's interim Artistic Director (for The O'Neill and all its programs.) Kuranda was asked to lead the National Playwrights Conference and the Center in 2004 after Ranelli resigned.

The New York Times stated that Kuranda restored confidence in the O'Neill's national programs by adding Michael Bush, Wendy C. Goldberg, and Oz Scott and reversing the decision of previous leadership to combine all programs under one artistic office (then J Ranelli). James Houghton supported Kuranda through one of the most exhausting seasons of development due to J Ranelli's choice to combine all Conferences at once.

He served as the Head of Operations at NY's Signature Theatre Company under James Houghton. Within a three year period at the Epic, which he co-founded, Kuranda produced two dozen play off-Broadway, including works by David Auburn, JT Rogers, Romulus Linney, and Lee Blessing. Venues of production included the Dr2, The Peter Norton Space on 42nd St, The Quintero (formerly the Kaufman), and the Public Theater. Kuranda was a principal at Elliott Associates, having opened doors to film production in his first three.

He also served as an advocate for the United Nations in conjunction with the Universal Forum of Cultures in Barcelona 2004.

Kuranda is a lifetime member of The Actors Studio and the former Director of Professional Development for The Actors Studio Drama School at The New School, having replaced the retiring associate dean, Stephen Benedict. Kuranda was recruited from the Signature Theater to come back to the West Village institution by James Lipton. During his tenure at The New School, he led the team to expand the campus with the acquisition of the old Bell Laboratories at Westhbeth, his team took over and turned it into one of the world's most important theater training centers in the world. The history of the space isioteworthy; It was here that the first talking movie, the condenser microphone, the first TV broadcast, and the first binary computer were demonstrated. The program was the third generation of Dramatic Workshop run by Erwin Piscator. He is a member of the Dramatists Guild and Stage Directors and Choreographers Society. Kuranda served as a Mentor the Kennedy Center, Arts In Crisis program. He was a member of the Visiting Committee to West Virginia University (arts) for eight years. Kuranda also served on the Board of the New School as a student representative for three years and as a senior director/representative for four years.

Kuranda and Alicia Regan met in graduate school in NYC and fell madly in love. They worked on over 200 projects together over a 28-year relationship until her passing in 2023.

Kuranda cites his collaborations with Bill Plympton, Jack Temchin, Al Pacino, JT Rogers, Melody Cooper, and James Lipton as defining moments in his career. Kuranda withdrew from the public during the Monte Cristo Award Ceremony in Beverly Hills honoring Karl Malden.

In recent years, Kuranda has focused on his family life and enjoys the small northwestern Crystal Lake, Illinois community. He serves locally on several boards.

Kuranda also paints and his work is represented in several gallery shows in the U.S. in 2024.