Lucas Camargo de Barros

Rodantes is a film that is not based on objective or formalistic issues, but in poetry that exists only in those stories and images that do not end.

Joo and Janana take care of each other. She has an illness. He is in a relationship with a man who doesn't want to be seen. The vague trauma of a mudslide that may have buried men and machines floats ...

Daniel has grumpiness. He doesn't want his mother to go to the conference. An unexpected meeting makes for an interesting weekend. The camera work is as uncompromising as Daniel is.

Bruno's incursion into a city full of noise still emits a minimal murmur of love.

Among grand mal seizures and geomagnetic storms in So Paulo, André looks for his mother and lost affections.