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Visions in Meditation #2: Mesa Verde
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Sinopse
Esta meditação tira seus imperativos visuais da ocasião da Mesa Verde.
Este Filme É Sobre
Elenco e Equipa Técnica
Você Pode Gostar.
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23rd Psalm Branch: Part I
1967
In this haunting but lyrical meditation on war, Brakhage intercuts 8-mm footage of Colorado with imagery from WWII newsreels. He responds to the violence and nightmare of war by painting directly on t...

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious or Can the Avant-Garde Artist Be Wholed?
5.57
1977
Avant garde exploration of the marriage broker joke and other things.

Star Garden
6
1974
The "star", as it is singular, is the sun; and it is metaphored, at the beginning of this film, by the projector anyone uses to show forth. Then the imaginary sun begins its course throughout whatever...

23rd Psalm Branch: Part II
1967
The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna...

Visions in Meditation #1
1989
This is a film inspired by Gertrude Stein's "Stanzas In Meditation", in which the filmmaker has edited a meditative series of images of landscapes and human symbolism "indicative of that field-of-cons...

The Process
6
1972
This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over...

Visions in Meditation #3: Plato's Cave
4.38
1990
A short film by Stan Brakhage featuring music by Rick Corrigan.


Two: Creeley/McClure
4.75
1965
Two portraits in relation to each other, the first of Robert Creeley, the second of Michael McClure.

Second Weaver
1966

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1993
Imaginação periférica da vida diária como a mente a tem - ou seja, um êxtase aterrorizante de (pintado à mão) nervos sinapting termina retro-despertando a partir da aderência do pensamento da vida.

I Take These Truths
1995
This film is entirely hand-painted and is composed of such an evolution of variably colored shapes that their inter-action with each other should constitute a purely visual "self-evident" (as prompted...

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1997
A combination of hand-painting and photography.


Duplicity III
1980
The final Duplicity in this series does seem a resolve with the term. All previous visual manifestations have been extended (thru four-roll superimpositions) to their limit. Obvious costumes and masks...
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